Why It’s Worth A Watch Wednesday – Red Widow

This week on Why It’s Worth a Watch Wednesday, we take on the mob!

Well, not literally. I mean, while I do have Sicilian blood, and there was that pizzeria I frequented when I was in high school that was rumored to be a mafia front (I was just there for the penne vodka, I swear), that’s about as close as I’m getting to any real life mob action.

Mmmm…penne vodka…

Anyway, where was I?

red-widow-cast-abc

Oh, right. The latest TV show to feature mob people: Red Widow.

In the pilot episode of Red Widow, we meet Marta Walraven (Radha Mitchell, who I kept thinking, “where have I seen her face??” Answer: Melinda and Melinda). Marta is a rich housewife married to Evan, a hot bearded man with a ponytail (Anson Mount, I don’t even like ponytails, but, woo) who works at a marina. I think that’s what we are supposed to think.

But wait, how does a dude at the docks have this nice of a house? And she stays at home with the three kids?

Yeah. I’m pretty sure he isn’t just taking tourists out on boats or slinging fish or whatever it is we are supposed to think he’s doing.

As it turns out, Evan Walraven smuggles pot. And he doesn’t do it alone. He has partners – Marta’s brother Irwin and her BFF’s hubby, Mike.

Marta’s brother Irwin takes it upon himself to steal a shipment of coke (not the bubbly kind) from a rather bad dude known as Schiller (Goran Visnjic, remember him? ERs answer to no more Clooney) and bad things start to go down.

Among those bad things? Evan Walraven is shot and killed in his own driveway. In front of his 8 year old son.

Not good.

Marta finds out from her brother (who is now in prison) about the stolen coke – which he says was all Evan’s idea, cause hey, he’s dead and can’t say otherwise – and that’s why Evan is dead and things are just going to get worse unless she unloads the cocaine to a buyer he knows.

Marta decides instead to go to directly to Schiller and say, “Sorry, my hubs and his pals stole your stuff, but I’ll just give it back and all will be copacetic, right?”

(Dear Marta, You are dumb. Sincerely, Everyone Who’s EVER Watched TV)

Schiller, of course, isn’t going to be happy with a sorry and cash. Because this business is all about money and trust, or something. So, the story ensues with Marta doing very non-soccer mom things to keep her family safe.

I just did a lot of talking to set you up for the actual story, huh? Yeah. That’s basically what the pilot does. Which didn’t exactly thrill me. And I’m the gal who likes a slow build. But that wasn’t the big flaw for me.

The part that bothered me most is how little I felt for this Marta character. I mean, if she is going to have to do bad things to protect her kids, I should be rooting for her on some level, or at least feel conflicted. You know, “oh, she shouldn’t do that bad stuff, but she’s doing what she HAS to…THINK OF THE CHILDREN!!”

Yeah…that’s not happening.

You see, the key thing I left out in allllll of what I told you is this: Marta’s family is Russian* mob. Her maiden name is Petrov. She grew up in a world of bad things happening. She may not know the inner workings, but she knows the world. Far as I can tell, her dad is a pretty big deal. A boss, even. Complete with an old school restaurant front. And she hasn’t exactly cut off ties.

Add to that the fact that Marta is the one that got her husband to work with her brother in the first place (the show doesn’t seem to make it altogether clear what kind of business she thought it was, but given the fanciness of their house, and her brother’s behavior, she couldn’t be so clueless as to think she was encouraging him to go into any kind of legit business) and I’m left feeling very little sympathy for Marta.

I find myself doing a bit of a “you reap what you sow” shrug.

RedWidowSeason1e01

This is Goran Visijnic.

And yet, I did watch all three episodes available on Hulu.

Why?

Goran Visnjic. And a little insomnia. Mostly Goran Visnjic.

I do think I might watch the other episodes, but only because I can easily access them on Hulu and I am a little curious to see where the show goes. (Also, Goran Visnjic.)  I guess that makes this Junk Food TV. Like, generic dollar store potato chips, greasy and not my favorite flavor, but I’ll probably still eat them if there’s nothing else around.

goran

Also, this.

There are only 8 episodes in the first season. I am kind of hoping that it will just be the one season. I think that if the show played out like a long movie across the 8, it could be redeemed a bit. I do NOT think this show has potential for anything long term.

How about you? Did you tune in to ABC’s Red Widow? While I give ABC props for trying to give us more female led dramas, anyone else feel like they are still missing the mark?

Now head over to Tiffany’s blog and see what she thinks of the Red Widow. I’m always curious to see which shows divide us and which have us singing the same song.

Tune in next week where Tiffany sorts out her DVR issues and I figure out what new programming I can access with ease on the interwebs. And feel free to chat with us on Twitter using the #watchwed tag!

 

*I do love listening to the Russians. Maybe they’re Anton’s relatives!
A Recap of The WatchWed Review System:
GTV (Gourmet TV): Everything we want and more
MacTV (MacNCheese TV): Guilty pleasure. Not perfect, but is satisfies
GMacTV (Gourmet MacNCheese TV): A combination of fine wine and comfort food
JFTV (Junk food TV):It’s not great for us, but we’ll go back for seconds
TBPTV (Twice Baked Potato TV): Part gourmet and delicious, while absolutely horrible for our cholesterol
SSTV (Still Simmering TV): It has potential, but the jury is still out
NIV (NyQuil Induced Viewing): Perfect for that late night television sleep timer
LOTV (Liver&Onions TV): Do we really have to explain? Blech
Inedible TV: Exactly how it sounds…

 

Why It’s Worth a Watch Wednesday – Do No Harm, NBC

WARNING: The following post contains liberal use of CAPS and bold letters.

 

This week on Why It’s Worth a Watch Wednesday, Tiffany and I once again go head to head, bringing you the latest in new TV. This week, we check out NBC’s new drama, Do No Harm.

Do No Harm stars Steven Pasquale as…wait. Starred. I should say “starred” not “stars”.

do-no-harm-canceled-by-nbc-after-two-episodes

Dude. They cancelled us. We have the sads.

Because it’s already been cancelled.

TWO. EPISODES. IN.

Yes, ladies and gentles, this show has the awkward distinction of being the lowest-rated scripted premiere in the HISTORY of the big four.

It must have been horrible, right?

Well…

Here’s the thing. By the time I got a chance to sit down and watch the show, I already knew about the cancellation. So, it was hard for me to be overly critical. If this were a real review, I probably would have made unfair comparisons to the BBC’s Jekyll (unfair, because, well, it’s the BBC). But, why kick a man while he’s down, right?

The premise to the show had promise. The main character, Dr. Jason Cole (Stephen Pasquale) has DID (dissociative identity disorder) but it manifests in a unique way. His alter, who goes by the name Ian Price, shows up at the same time every night – 8: 25 PM – and stays for 12 hours. Dr. Cole has little to no memory of what his other personality does, but he does know that he is a horrible person.

Because of this, it seems that he’s enlisted the help of a fellow doctor (Lin-Manuel Miranda) in creating a drug that suppresses his other half. It’s worked for a while, but they discover that Cole/Price has become immune to the drug.

The alter, angry after being suppressed for so long, is out for revenge on Cole.

And Cole, understandably, wants to kill Price.

It’s a Jekyll and Hyde-like tale. And I happen to enjoy Jekyll/Hyde stories. I also find DID interesting subject matter, even if this portrayal is over the top.

But, I’ll never know if this story would have been developed well, if Pasquale’s subtle shift between Cole and Price would have been refreshing or not enough, because the network didn’t give me a chance.

They did what they had to, right? If a show isn’t getting ratings, it gets the ax.

Here’s the thing. Not that I know anything about anything, but I get the feeling that networks haven’t caught up with the new generation of “TV” watchers. And by TV, I mean the countless numbers of people who watch their programs after the fact.

Show of hands: How many of you watch a show the second it comes on? There are a fair amount of viewers who are watching new shows On Demand, days later on their DVR, or online via network websites or Hulu.

Are networks accounting for these people?

I probably would have given Do No Harm a chance, honestly. But I don’t think my viewing figures are being considered.

Networks – catch up with the times. Find a new way to track your viewership. Put more of your marketing dollars into social media and online advertising. Offer sneak peeks (some have done this) of pilots to Social Media influencers who can get online viewers excited about the show.

Leverage the interwebs!!

And again, I don’t understand how things work, but if you’ve ALREADY filmed a certain number of episodes, why not air them all if all you are going to replace it with are RERUNS of another show? (Yes, they are going to air previously aired episodes of Law and Order: SVU.)

OH, OH! And stop premiering shows in timeslots where you historically underperform. NBC has been sucking wind in the 10 o’ clock time slot since, what, ER? Not to mention that the timeslot is occupied by Scandal – a HUGELY successful drama on ABC, and Elementary on CBS, which has also been doing well.

Go home, NBC, you're DRUNK.

Go home, NBC, you’re DRUNK.

A lot of folks have DVRs that only let them records TWO things. Sticking yourself in a time slot already inhabited by a couple of strong shows is kind of asking for horrible ratings, isn’t it?

AND…AND! How about you give the show a stronger lead-in? Sure, Thursday night comedies on NBC were once a strong bunch, but with The Office nearing it’s end, 30 Rock done, and the addition of the absolutely horrid 1600 Penn, you can’t expect viewers to stick around for an unknown drama.

1600 Penn. ::shudder::

How is it, exactly, that you’ve cancelled Do No Harm after two episodes and not this waste of TV space?

Sigh.

No ratings today. I’m guessing Do No Harm would have received an SSTV from me. But apparently NBC wants microwave programming.

Enjoy your hot pockets.

I don’t even know what I’m saying anymore.

Come back next week when I’m less angry at the world. Or, you know, NBC.

Don’t forget to see what Tiffany has to say about this whole debacle!

(PS – I am really disappointed that the cancellation means I don’t get to see more Lin-Manuel Miranda. For those who don’t know, he is the uber-talented guy behind the musical In the Heights, and had a memorable guest appearance on House)

Remember to stop by the #watchwed hashtag in Twitter to discuss any of today’s reviews, or to mention any television programs that you’d like to see on Why It’s Worth a Watch Wednesday in the future.
A Recap of The WatchWed Review System:
GTV (Gourmet TV): Everything we want and more
MacTV (MacNCheese TV): Guilty pleasure. Not perfect, but is satisfies
GMacTV (Gourmet MacNCheese TV): A combination of fine wine and comfort food
JFTV (Junk food TV):It’s not great for us, but we’ll go back for seconds
TBPTV (Twice Baked Potato TV): Part gourmet and delicious, while absolutely horrible for our cholesterol
SSTV (Still Simmering TV): It has potential, but the jury is still out
NIV (NyQuil Induced Viewing): Perfect for that late night television sleep timer
LOTV (Liver&Onions TV): Do we really have to explain? Blech

 

Why It’s Worth a Watch Wednesday – A Fairy Tale Showdown

This week on Why It’s Worth a Watch Wednesday, we are having a fairy tale showdown! In the past, Tiffany and I gave our reviews of Grimm and Once Upon a Time. This week, we are following up on our thoughts by putting the two shows head to head. After all, they both have fairy tale roots, so why not have a proper battle?

In this corner…

Once Upon a Time. From the creators of Lost, Once Upon a Time is the over-analytical TV watcher’s dream. With scenes from modern-day Storybrooke, a small town in Maine where these fairy tale characters have been whisked away to without memory of their fairy tale lives, and flashes to their fairy tale lives and what led up to the curse stranding them in Maine, the show definitely has a Lost-ish feel.

His name is Neil Cassidy, people. NEIL CASSIDY.

Not only that, but there are constantly tiny clues throughout the show, leaving those who love cooking up complex theories in heaven.

I’m a big fan of that sort of thing. While I didn’t care for the ending of Lost, I did enjoy watching the series for all those small details, and trying to decipher what they meant. (Did the fact that several character names were the same as past philosophers mean anything? How about those numbers? Wait, is that a polar bear?)

Once Upon a Time totally delivers on this kind of fun. Don’t believe me? Ask me to tell you who I think Emma’s past partner in crime really is, and more importantly, WHY. Or how I guessed who Dr. Whale really is. (Seriously. Ask.)

 

In the other corner…

Grimm, from the outside, seems to be a police procedural with a twist. Our main character, Nick Berkhardt (David Giuntoli), is a detective who finds out that he is a Grimm. He also finds out that they were much more than storytellers. Throughout history, Grimms hunted and killed Wesen.

Wesen concept art

What’s a Wesen? Wesen is the group name for all the different creatures we know from the various tales told by the Grimms. What the non-Grimms among of us don’t know is that Wesen exist all around us, in human form.

Grimm fairy tales tend to be among my favorites, as they are darker and more serious than the Disney-fied versions most of us grow up with, so the show’s decision to keep with the true nature of these tales definitely appealed to me.

So, it would seem there are reasons for me to like them both. Who wins?

Once Upon a Time, while giving me an opportunity to super geek-it-up and have discussions about Kerouac and other literary folks, hasn’t really been doing it for me this season. Their introduction of some new princesses (I am still trying decide if these are awful actresses or the victims of bad writing) has me snoring, and this season is feeling a bit desperate – bad CGI, etc. I no longer find myself rushing to Hulu the next morning to watch, a very telling sign.

Grimm, on the other hand, started slowly for me. I enjoy police procedurals, and figured I would enjoy the show, but not be wrapped up in a long term story  line. Boy, was I wrong. There is a lot more going on than crimes committed by characters from old tales and it definitely has me eager for the next episode.

So, it may surprise everyone who knows me, but the winner for me is: Grimm.

 

What about you? Are you watching both? Which is your favorite? Do you want to talk OUAT theories with me? (Really. Let’s do this.)

 

Now, head over to Tiffany’s and see if this battle is a tie, or if Grimm takes home victory.

Come back next week when we review something….  Stay tuned!
Remember to stop by the #watchwed hashtag in Twitter to discuss any of today’s reviews, or to mention any television programs that you’d like to see on Why It’s Worth a Watch Wednesday in the future.
A Recap of The WatchWed Review System:
GTV (Gourmet TV): Everything we want and more
MacTV (MacNCheese TV): Guilty pleasure. Not perfect, but is satisfies
GMacTV (Gourmet MacNCheese TV): A combination of fine wine and comfort food
JFTV (Junk food TV):It’s not great for us, but we’ll go back for seconds
TBPTV (Twice Baked Potato TV): Part gourmet and delicious, while absolutely horrible for our cholesterol
SSTV (Still Simmering TV): It has potential, but the jury is still out
NIV (NyQuil Induced Viewing): Perfect for that late night television sleep timer
LOTV (Liver&Onions TV): Do we really have to explain? Blech

Why It’s Worth a Watch Wednesday – Nashville!

Fall TV keeps Tiffany and I very busy, with all sorts of new shows to watch and review. This week we review shows with women at the forefront – Tiffany talks Made in Jersey, while I check out the latest in musical drama, Nashville.

I should start out by mentioning that I am not a big country music fan. I listened to (and even enjoyed) some for a time in my teens, mostly due to being best friend’s with a girl who’s family only listened to country and oldies. I even went to a Garth Brooks concert. And got invited to party with the crew after.

But, for the most part, I rarely turn my radio dial to a country station.

You might have guessed with a title like Nashville, this new TV show has something to do with country music. And you would be right.

The story follows Rayna James (Connie Britton) as a seasoned, successful country music star. She’s been doing this for quite some time, and while she is still talented, the music scene is changing. Enter Juliette Barnes (Hayden Panetierre), a young, beautiful, and bratty, to say the least, singer.

From the start, there is a definite tension between the old and new, complete with catty exchanges. Juliette is the labels rising star, sexy, young, and likely heavily produced, willing to do whatever it takes to secure her role at the top. Rayna, while not strictly old school twangy traditional, is far from the pop-ified version of country climbing the charts, and is reluctant to agree to her labels proposal for raising her tours ticket sales. [You can probably guess what that proposal is, but I’ll let you watch and find out.]

Is this show just a country music All About Eve, a story of female competition?

Not quite. There’s drama at home, too. Rayna’s husband (Eric Close) has suffered from the economic downturn, making Rayna’s continued success in the industry that much more important, and the strain on their marriage doesn’t seem to stop there. Rayna’s father (Powers Boothe) is a very powerful man in Nashville, and a man she doesn’t seem to like very much. He makes matters worse when he gets her husband involved in a new career path (again, you’ll have to watch to find out what that is).

Family drama isn’t limited to Rayna. Young Juliette’s impossible behavior begins to make sense as the audience is given a glimpse of what she has waiting for her back home.

A lot of critics are hailing this show as one of the fall seasons best new shows. I think this may be a little premature, a kneejerk reaction to the gone-to-soon days of Connie Britton’s Friday Night Lights. Like FNL, the subject matter may turn viewers away before they even give the show a chance. FNL was about more than football, and Nashville promises to be about more than country music.

What do I think? I’m on the fence. I do think that the show has potential. Connie Britton is great, as she always is, and if the Hayden’s Panetierre’s goal in the first episode is to make me hate Juliette, well, she did her job. I didn’t hate the show. But I don’t love it yet.

Now, before I give this a rating, I have to address the music. It’s a well-known fact around here that I love music and all things musical, but TV shows that have tried mixing music in have left me less than enthused (I’m looking at you, Glee and Smash). Given that Nashville is country music, I figured that my reaction would be rather blah.

But…

Nashville already does a better job of integration into the show, which I believe gives it the opportunity to appeal to a broader audience (you know, those folks who don’t like when people spontaneously burst into song). The characters sing in places that makes sense; concerts, events, studios, clubs.

The music itself didn’t wow me. At first. As I mentioned, country isn’t exactly my thing. But two things happened that made me want to tune in again.

First, Rayna has two daughters, who in one very brief scene are singing along to the radio (a song of Juliette’s, of course), and their cute little voices made me think, wow, they sound pretty good. That’s because they are real life YouTube sensations, Lennon and Maisy Stella. They are adorable and talented and I have hopes that the show’s choice to bring these sisters on means they will be showcasing their voices in the future.

Second, and this is the big one for me, was the final song of the episode. Scarlett (Clare Bowen) and Gunnar (Sam Palladio), two characters that will likely play a big role in the show, perform a song that the audience is told is a poem young Scarlett wrote, and Gunnar set to music. The song is beautiful, and beautifully performed.

[You can view the song here, but be aware that you may see some spoilers.]

And it’s not a show original. It’s a song by The Civil Wars. (While I don’t love country, I do adore bluegrass and folk. Go figure.) If you aren’t listening to them, set those fingers to googling right now. They are amazing.

This doesn’t appear to be the only time incredible talent will be gracing the show. John Paul White of The Civil Wars, Elvis Costello, and Hilary Lindsey are all rumored to be composing original songs for the show.

With talent like that, I’m adding this show to the queue.

This show was set to get an SSTV, but the musical potential has me feeling that it will at least merit a JFTV rating, with MAC potential. We shall see.

You can find Nashville on ABC, 10 PM on Wednesday nights.

Did you watch Nashville? Are you a fan of country music? What will it take to make you tune in?

Now, go north with Tiffany and check out Made in Jersey. We’re talking more than just the show over there…

Come back next week when we take on the CW and review Arrow and Beauty and the Beast!

Remember to stop by the #watchwed hashtag in Twitter to discuss any of today’s reviews, or to mention any television programs that you’d like to see on Why It’s Worth a Watch Wednesday in the future.

A Recap of The WatchWed Review System:

GTV (Gourmet TV): Everything we want and more
MacTV (MacNCheese TV): Guilty pleasure. Not perfect, but is satisfies
JFTV (Junk food TV): It’s not great for us, but we’ll go back for seconds
TBPTV (Twice Baked Potato TV): Part gourmet and delicious, while absolutely horrible for our cholesterol
SSTV (Still Simmering TV): It has potential, but the jury is still out
NIV (Nyquil Induced Viewing): Perfect for that late night television sleep timer
LOTV (Liver&Onions TV): Do we really have to explain? Blech